The latter is rich and glamorous, the former weathered and penniless, running a bar that's an obvious dive. Edith makes the decision to murder her twin, assuming her identity and riches in a Machiavellian chess move. The film peddles the harmful stereotype that an ageing woman unable to gain the security of marriage is practically worthless, and she will subsequently harbour an uncontrollable rage that will go on to define her life.
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